Course webpage is here: http://peterasaro.org/courses/2017War.html
Course blog is here: http://digitalwar2017.wordpress.com/
This course focuses on exploring how digital technologies and media are transforming warfare, international conflicts, and popular uprisings and their suppression. We will explore how these technologies are changing the nature of warfare, and the rhetoric that is used to justify the development and use of these new technologies and strategies. The course critically examines the claims that technologies can produce increasingly risk-free, or even bloodless, wars, and considers how the risks of engaging in armed conflict are being redistributed. It also examines how new forms of digital and social media are being enlisted in the service of international conflicts. Topics discussed include the military's use of video games for recruitment and training; the role of digital media in war journalism, state propaganda and information warfare, and hackivist sites such as Wikileaks; the use of social media in both organizing and suppressing popular uprisings such as the Arab Spring; mass surveillance in the name of state security; developments in cyberwarfare; and the increasing use of military robotics, including armed Predator and Reaper drones, as well as the development of fully autonomous weapons.
You are expected to have thoroughly and thoughtfully read the assigned texts, viewed the assigned videos, and to have prepared yourself to contribute meaningfully to the class discussions. For some people, that preparation requires taking copious notes on the assigned readings; for others, it entails supplementing the assigned readings with explanatory texts found in survey textbooks or in online sources; and for others still, it involves reading the texts, ruminating on them afterwards, then discussing those readings with classmates before the class meeting. Whatever method best suits you, I hope you will arrive at class with copies of the assigned reading, ready and willing to make yourself a valued contributor to the discussion, and eager to share your own relevant media experiences and interests. Your participation will be evaluated in terms of both quantity and quality.
As this is a seminar, regular attendance is essential. You will be permitted two excused absences (you must notify me of your inability to attend before class, via email). Any subsequent absences and any un-excused absences will adversely affect your grade.
You will be required to make
weekly blog entries commenting on the readings for the week. You will be required to create an account on WordPress (if you
do not already have one), and send me an email with your LoginID and the EMAIL
ADDRESS used to create the account,so that you can
be added as an author for the collective course blog. Everyone will be posting
to a common blog page, and this will be readable by your classmates. When
writing and making comments, you are expected to treat other students with the
same respect and courtesy as you should in the classroom.
Discussion questions will be posted each week to help stimulate the writing
process. You are also expected to read the posts of your classmates, and
encouraged to comment on other people's posts each week. Posts will not be
graded (they will receive 2, 1 or 0 points based on timely completion), but the
TA and I will read them and occasionally comment on them. There will be 10
posts through the semester, thus 20 points, constituting 20% of your grade.
Comments are strongly encouraged, and you can receive up to 10 points (extra credit) for each substantial comment (paragraph or longer) that you make on someone else's post.
Blog posts will be due before the start of each class. They are time stamped when you post them, and late posts will only receive half credit (1 point). Discussion questions for the next week will be posted shortly after each class.
Research Project Idea Due: October 2
Length: 300-500 words
(approx. 1 page)
Research Project Full Proposal Due:
November 13
Length: 500-2000 words (approx. 1-4
pages)
Final Project Presentations:
December 4 & 11
Oral Presentation, 10 minutes (Powerpoint
Optional)
Final Project Due: December 18
Length (media project description): 500-3000 words (approx. 1-10
pages) + Media Project
Length (research paper option): 3000-5000 words (approx. 10-18 pages)
There will be no final exam. Instead, a final research
project will be required. There are 2 options: Research Paper Option, and Media
Project Option.
Final Project will be due one week after the last day of class. If that deadline will not work for you, you need to make other arrangements one week in advance, at the latest. We will set aside time in the last day(s) of class for presentations of final projects. These will not be graded but will offer an opportunity for feedback before submitting your final project.
Project topics can address any aspect of the topics and materials discussed in class. Projects should include materials beyond what is directly covered in class, as appropriate for your topic. In other words, they should require research. The blog will provide many ideas for projects, as will class discussion. You will be asked to submit a short description of your Project Idea early in the semester, and will receive feedback on it.
Later in the semester you will have to write a more formal Proposal for your project, based on feedback and further research. Project proposals should state the research question, problem, or phenomenon that will be the focus of your research. It should also state your thesis or position on the issue, as well as outline the argument you will use to support your position. This applies to both papers and media projects. You should also indicate the sources and materials you will consult and utilize in making your argument and producing your final project. For the Media Project Option, you should state as clearly as possible what you intend to deliver for the final draft (i.e., video length, style, format, content; website; set of infographics, etc.).
Final Project Presentations will occur on the last days of class. These should be short 5-10 minutes summary of your research paper or project, allowing 5-10 minutes for discussion. Group projects can be presented collectively.
Research Paper Option
This will take the form of a 3000-5000 word (Times
New Roman, 12pt font, double spaced) term paper. You should draw upon sources
from the course readings as well as beyond the course readings. You should cite
your sources properly.
Media Project Option
Media Projects can take the form of film and video
pieces, audio documentaries, websites, interactive media, performance pieces,
infographics, a social media campaign strategy, or other ideas. In addition to
the actual media product, you will need to submit your Idea, Proposal, and a
Final short written piece explaining your project, its motivations, methods and
what you did to realize it.
Group Project
Option
Those pursuing the Media Project Option have the further option of
participating in a group research project. For the students pursuing this
option, the process will be much the same, with the Idea being an individual
statement of what you plan to contribute to the group project, and the Proposal
and Final projects being collective efforts to realize the research project. In
addition, each person choosing this option must submit a 1-page self-assessment
of their participation in the group, due at the same time as the Final
project.
For the
Group Project Option, the topic will be to develop social media strategy and/or
media content for the International Committee for Robot Arms Control (www.icrac.net). As a co-founder of this
organization, I will provide guidance to the group. However, it is largely up
to the group to conceive and develop the project. The actual project could
range from a high-level media strategy, to infographics and clickable content,
to a social media campaign, to an audio/video or digital media project, or any
combination of these or other ideas.
Past group projects included a performance piece (with live drone and event
poster), a short documentary film, and website: www.dronemediaproject.com.
Papers and written ideas and proposals should be submitted to me in electronic form by email (Word Perfect, MS Word, PDF, HTML and plain TXT are all fine). All assignments are due at 6pm at the start of class on the day they are due. Late final papers will not be accepted, as I must turn in grades shortly thereafter.
In addition to the extra points available for commenting on blog posts, there will be several events during the semester which will allow you to get extra credit points, or make-up for missed (excused) classes.
All readings will be available electronically, via the web, in PDF, MS Word, HTML, or similar format. You are welcome and encouraged to buy any of the books used.
Student Introductions
How to create a WordPress Account, and make a Blog Entry
Watch: "Secrets of Silicon Valley: The Persuasion Machine" BBC, 59 min., 2017. (UK access only)
Required:
Edward Bernays, Propaganda, Horace Liveright Inc., 1928, pp. 1-61 and 135-153.
Joseph Goebbels, "The Führer as a Speaker," German Propaganda Archive, Calvin College, 1936.
David Vaughn, "The Master's Voice," The Guardian, October 8, 2008.
Joseph Goebbels, "Knowledge and Propaganda," German Propaganda Archive, Calvin College, 1934.
Recommended:
Watch: Charlie Rose Interview with Steve Bannon, CBS 60 Minutes, September 2017, Parts 1, 2, 3 and 4.
Watch: Mark Achbar and Peter Wintonick, Manufacturing Consent: Noam Chomsky and the Media, 1992, 167 min.
Required:
Soumitra Dutta and Matthew Fraser, "Barack Obama and the Facebook Election," USA Today, Nov. 19, 2008.
Aaron Smith, "The Internet's Role in Campaign 2008," Pew Research Center, April 15, 2009.
Will Oremus, "The Filter Bubble Revisted," Slate, April 5, 2017.
Watch: Eli Parser, "Beware Online 'Filter Bubbles'," Ted Talk, March 2011, 9 minutes.
Watch: Jeff Hancock, "The Future of Lying," Ted Talk, September 2012, 18 minutes.
Recommended:
https://en.wikipedia.org/wiki/Filter_bubble
Watch: Frontline, "Digital Nation," February 2, 2010.
Required:
Phillip Seargeant, "Fake News, Filter Bubbles & Facebook." Open University, January 2017.
John Lanchester, "You Are the Product," London Review of Books, August 17, 2017.
Editorial "Yes, I'd Lie to You," The Economist, September 10, 2016.
Kevin Roose, "Facebook's Frankenstein Moment," New York Times, September 21, 2017.
Massimo Calabresi, Inside Russia's Social Media War on America, Time, May 18, 2017.
Amanda Hess, "Internetting with Amanda Hess: Episode 1: The Dark Art of Political Memes," New York Times, October 31, 2017. click "more episodes"
Watch: Last Week Tonight with John Oliver , "The Sinclair Group," HBO, July 2, 2017, 19 minutes.
Watch: Last Week Tonight with John Oliver , "The Sinclair Group," HBO, July 2, 2017, 19 minutes.
Recommended:
Explore: Alliance for Securing Democracy, Tracking Russian Influence Operations on Twitter, Website.
Watch: Sidney Lumet, Network, MGM, 1976, 121 min.
Watch: David Fincher, The Social Network, 2010, 120 min.
https://www.mediamatters.org/people/james-okeefe
Required:
Raffi Khatchadourian, "Julian Assange, A Man Without A Country" The New Yorker, August 21, 2017.
Jayson Harsin, "Wikileaks’ Lessons For Media Theory and Politics," Flow, January 15, 2011.
DNC email leak: Russian hackers Cozy Bear and Fancy Bear behind breach, The Guardian.
What we know about Russia's role in the DNC email leak, Politifact
The Panama Papers, The International Consortium of Investigative Journalists
The People Behind the Panama Papers, Mozilla
Watch: Laura Poitras, Risk, 2016, 92 minutes.
Recommended:
WikiLeaks release excludes evidence of €2 billion transfer from Syria to Russia, DailyDot
WikiLeaks threatens Daily Dot journalists over report on missing Syria emails, The Verge
Wikipedia entry on Guccifer 2.0
Wikipedia entry on DNC email leak
Watch: Frontline (2011) WikiSecrets, PBS, 60 min.
Watch: Alex Gibney, We Steal Secrets: The Story of Wikileaks, 2013, 130 min.
Watch: Democracy Now! (2011) Special: "Conversation w/ Assange & Zizek," 120 min.
Watch: Democracy Now! (2012) "Julian Assange on WikiLeaks," Nov. 29, 2012, 55 min.
Watch: "Collateral Murder," Wikileaks, April 5, 2010.
Wikipedia, "Anonynous (group)"
Required:
Watch: Glenn Greenwald and Laura Poitras Interview
with Edward Snowden Part
I, 12 min., The Guardian, July 9, 2013, and Part
II, 7 min., The Guardian, July 8, 2013
Watch: Laura Poitras, "Citizen Four," 2014,
114 minutes.
Peter Maass, "How Laura Poitras Helped Snowden Spill His Secrets," New York Times, August 13, 2013.
Peter Masss, "Q & A: Edward Snowden Talks to Peter Maass," New York Times, August 13, 2013.
Glenn Greenwald, "'Ongoing NSA Work," The Guardian, August 27, 2013.
Shane Harris, "The Cowboy of the NSA," Foreign Policy, September 9, 2013.
Watch:Laura Poitras, "The Program," 8 min., New York Times Op-Doc, August 22, 2013.
Watch:Glenn Greenwald & Amy Goodman, "Greenwald: Snowden "Doing Very Well" in Russia After Sparking "Extraordinary Debate" on NSA, Spying," 29 min., Democracy Now!, August 5, 2013.
Watch: Frontline, "The United States of Secrets", May 2014.
Recomended:
Watch:Laura Poitras, "Citizenfour," 114 min., 2014.
Wikipedia, "National Security Agency"
Wikipedia, "PRISM (surveillance program)"
Required:
Philipp Oehmk, "The Alt-Right Movement Behind Trump's Presidency, Der Spiegel, July 14, 2017.
Official Statement in Response to ProPublica from Sputnik News.
Jesse Singel, "Undercover with the Alt-Right," New York Times, September 19, 2017.
Recommended:
Hannah Arendt, (1968) On Violence, New York: Harvest Books.
Watch:Frontline (2011) Revolution in Cairo, PBS, 60 min.
Philip N. Howard (2011) "Digital media and the Arab spring," Reuters, February 16, 2011.
Anti-Defamartion League, "Alt Right: A Primer about the New White Supremacy"
Southern Poverty Law Center, "Alternative Right."
Required:
David Post, "NATO and an "e-SOS" for cyberattacks," The Washington Post, September 2, 2014.
Adrian Chen, The Agency, New York Times Magazine, June 2, 2015.
Peter Elkind, "Inside the Hack of the Century: Part 1, 2 and 3," Fortune, June 25, 2015
Matthew M. Aid, Inside the NSA’s Ultra-Secret China Hacking Group, Foreign Policy, June 10, 2013
APT28: A Window into Russia's Cyber Espionage Operations?, FireEye
Joe Uchill, "New Bill Would Allow Hacking Victims to 'Hack Back'," The Hill, October 13, 2017.
Watch: Nova (2015) Cyberwar Threat, PBS, 54 min.
Watch: Cyber War, Season 1, Epsiode 8, "America's Elite Hacking Force", Viceland, 23min.
Recommended:
Watch: Fault Lines (2010) Cyberwar, Al Jazeera English, 24 min.
Watch: Frontline (2003) Cyberwar, PBS, 53 min.
Tallinn Manual for Cyberwarfare
Wikipedia, "U.S. Cyber Command"
United States Army Field Manual on Electronic Warfare (2012)
United States Department of Defense, "Cyber Strategy"
Huw Lemmey (2012) "Devastation in Meatspace," The New Inquiry, November 28, 2012.
Rebeccas L. Stein (2014) "How Israel militarized social media," Mondoweiss, July 24, 2014.
Faisal Irshaid (2014) "How ISIS is spreading its message online," BBC News, June 19, 2014.
Mustapha Ajbaili (2014) "How ISIS conquered social media," Al Arabiya News, Tuesday, 24 June 2014.
Jay Caspian Kang (2014) "ISIS's Call of Duty," The New Yorker, September 18, 2014.
Watch: Frontline (2014) The Rise of ISIS, October, 28, 2014, 53 min.
Watch: Viceland (2016) Cyber War Episode 5, Syria's Cyber Battlefields, 23 min.
Recommended:
Israeli Defense Forces_Spokesperson's_Unit
U.S. Department of Defense, Defense Media Activity
Wikipedia entry on DoD Defense Media Activity
Required:
Ciar Byrne, (2003) "War reporting 'changed forever' says BBC," The Gaurdian, March 31, 2003
Donald Matheson and Stuart Allan (2009) Digital War Reporting, Cambridge, UK: Polity Press.
U.S. Filmmaker Repeatedly Detained at Border, Salon, 2012.
Jim Boumelha (2010) "US must deliver justice on friendly fire," The Gaurdian, April 10, 2010.
Morgan Weiland, "Protecting Journalism in the Digital Era," Stanford Lawyer, Nov. 8, 2013.
Seymour Hersh (2004) "Torture at Abu Ghraib," The New Yorker, May 10, 2004.
Watch: Excerpt on U.S. Strike on Al Jazeera Office, Control Room, 2004. IMBD
Watch: "Israel: Unlawful Attacks on Palestinian Media," Human Rights Watch, 2012.
Recommended:
Explore: Witness.org website
Watch: Errol Morris (2008) Standard Operating Procedure, Sony Classics,116 min.
Watch: John Pilger (2010) The War You Don't See, BBC, 120 min., YouTube link
Required:
Peter Pomerantsev, "Brave New War," The Atlantic, December 29, 2015.
Peter Pomerantsev, "Inside the Kremlin's Hall of Mirrors," The Guardian, 9 April 2015.
Bill Gertz, iWar: War and Peace in the Information Age, Threshold Editions 2017.
Samatha Power, "Why Foriegn Propaganda is More Dangerous Now," New York Times, September 19, 2017.
Recommended:
Required:
Robert Sparrow (2007) "Killer Robots," Journal of Applied Philosophy, 24 (1), pp. 62-77.
Watch: Future of Life Institute (2017) Slaughterbots , Video, 8 min.
Recommended:
Watch: Daniel Suarez (2013) The Kill Decision Shouldn't Belong to a Robot, TED Talks, 14 min.
Watch: Noel Sharkey (2013) Toy Soldiers to Killer Robots, TEDxSheffield 2013, 18 min.
Watch: J.J. Palomo (2013) Keloid Trailer, 3 min.
Grégoire Chamayou (2011) "The Manhunt Doctrine," Radical Philosophy, Volume 169, Sep/Oct 2011.
Mark Isikoff, "Justice Department memo reveals legal case for drone strikes on Americans," NBC News, February 4, 2013. Also: Full Memo
Wajahat Ali, "Drone victim: U.S. strikes boost al-Qaida recruitment," Salon, May 2, 2013.
Watch: Frontline (2011) Kill/Capture, PBS, 60 min.
Explore: LivingUnderDrones.org website
Explore: Bureau of Investigative Journalism "Covert Drone War" website
Explore: Pitch Interactive Visualization of BIJ Drone Strike Data
"The Killer Robot Debate," Global Defence Technology, Issue 31, September 2013.
Reaching Critical Will, "Fully Autonomous Weapons Fact Sheet," 2013.
Required:
David Carroll, "Take Back our Voter Data," CrowdJustice.com
Bellingcat.com, The Home of Online Investigations.
Aric Toler, "Advanced Guide on Verifying Video Content," Bellingcat, June 30, 2017.
Recommended:
Watch: Frontline (2011) Revolution in Cairo, PBS, 60 min.
Philip N. Howard (2011) "Digital media and the Arab spring," Reuters, February 16, 2011.