
Course webpage is here: http://peterasaro.org/courses/2026MDisinfo.html
Course blog is here: http://disinfo2026.wordpress.com/
This course will examine the ways in which AI is transforming media production and communications, along with its current and potential role in strategic misinformation, deception and manipulation. The course will cover classic work and emerging research on deception and manipulation. We will spend the first part of the semester examining how AI is being used to generate media, including the creation and use of deepfakes, and the role of AI in targeted marketing and surveillance capitalism more generally. The second half of the semester will examine why mis- and disinformation are successful, in terms of both cognitive biases and the socio-technical media infrastructure, as well as the potential for applying AI to increasingly sophisticated psychological micro-targeting, and large-scale media manipulation. This will include an examination of the socio-psychological dimensions of deception, coercion and manipulation among humans, and its potential automation and amplification with AI. Throughout the semester we will return to questions of how these technologies impact or advance social justice, economic and political equality, and what it means to engage with them through ethical practice.
You are expected to have thoroughly and thoughtfully read the assigned texts, viewed the assigned videos, and to have prepared yourself to contribute meaningfully to the class discussions. For some people, that preparation requires taking copious notes on the assigned readings; for others, it entails supplementing the assigned readings with explanatory texts found in survey textbooks or in online sources; and for others still, it involves reading the texts, ruminating on them afterwards, then discussing those readings with classmates before the class meeting. Whatever method best suits you, I hope you will arrive at class with copies of the assigned reading, ready and willing to make yourself a valued contributor to the discussion, and eager to share your own relevant media experiences and interests. Your participation will be evaluated in terms of both quantity and quality.
As this is a seminar, regular attendance is essential. You will be permitted two excused absences (you must notify me of your inability to attend before class, via email). Any subsequent absences and any un-excused absences will adversely affect your grade.
You will be required to make
weekly blog entries commenting on the readings for the week. You will be required to create an account on WordPress (if you
do not already have one), and send me an email with your LoginID and the EMAIL
ADDRESS used to create the account, so that you can
be added as an author for the collective course blog. Everyone will be posting
to a common blog page, and this will be readable by your classmates. When
writing and making comments, you are expected to treat other students with the
same respect and courtesy as you should in the classroom.
Discussion questions will be posted each week to help stimulate the writing
process. You are also expected to read the posts of your classmates, and
encouraged to comment on other people's posts each week. Posts will not be
graded (they will receive 2 {on-time], 1 [late] or 0 [not completed] points),
but I will read them and occasionally comment on them. There will be 10
posts required through the semester, thus 20 points, constituting 20% of your grade.
Comments are strongly encouraged, and you can receive up to 10 points (extra credit) for each substantial comment (paragraph or longer) that you make on someone else's post.
Blog posts will be due before the start of each class. They are time stamped when you post them, and late posts will only receive half credit (1 point). THere is no specific topic for each post, but they should express your reactions to and reflections on the readings for that week.
Research Project Idea Due: February 25
Length: 300-500 words
(approx. 1 page)
Research Project Proposal/Draft Due:
April 8
Length: 500-2000 words (approx. 1-4 pages)
Final Project Presentations:
May 6
Oral Presentation, 15 minutes (Powerpoint
Optional) plus discussion
Final Project Due: May 13
Length (media project description): 500-3000 words (approx. 1-10
pages) + Media Project
Length (research paper option): 3000-5000 words (approx. 10-18 pages)
There will be no final exam. Instead, a final research
project will be required. There are 2 options: Research Paper Option, and Media
Project Option.
Final Project will be due after the last day of class and presentations. If that deadline will not work for you, you need to make other arrangements one week in advance, at the latest. We will set aside time in the last day(s) of class for presentations of final projects. These will not be graded but will offer an opportunity for feedback before submitting your final project.
Project topics can address any aspect of the topics and materials discussed in class. Projects should include materials beyond what is directly covered in class, as appropriate for your topic. In other words, they should require research. The blog will provide many ideas for projects, as will class discussion. You will be asked to submit a short description of your Project Idea early in the semester, and will receive feedback on it.
Later in the semester you will have to write a more formal Proposal/Draft for your project, based on feedback and further research. Project proposals should state the research question, problem, or phenomenon that will be the focus of your research. It should also state your thesis or position on the issue, as well as outline the argument you will use to support your position.This applies to both papers and media projects. You should also indicate the sources and materials you will consult and utilize in making your argument and producing your final project. For the Media Project Option, you should state as clearly as possible what you intend to deliver for the final draft (i.e., video length, style, format, content; website; set of infographics, etc.).
Final Project Presentations will occur on the last days of class. These should be short 5-10 minutes summary of your research paper or project, allowing 5-10 minutes for discussion. Group projects can be presented collectively.
Research Paper Option
This will take the form of a 3000-5000 word (Times
New Roman, 12pt font, double spaced) term paper. You should draw upon sources
from the course readings as well as beyond the course readings. You should cite
your sources properly.
Media Project Option
Media Projects can take the form of film and video
pieces, audio documentaries, websites, interactive media, performance pieces,
infographics, a social media campaign strategy, or other ideas. In addition to
the actual media product, you will need to submit your Idea, Proposal, and a
Final short written piece explaining your project, its motivations, methods and
what you did to realize it.
Group Project
Option
Those pursuing the Media Project Option have the further option of
participating in a group research project. For the students pursuing this
option, the process will be much the same, with the Idea being an individual
statement of what you plan to contribute to the group project, and the Proposal
and Final projects being collective efforts to realize the research project. In
addition, each person choosing this option must submit a 1-page self-assessment
of their participation in the group, due at the same time as the Final
project.
Papers and written ideas and proposals should be submitted to me in electronic form by email (Word Perfect, MS Word, PDF, HTML and plain TXT are all fine).All assignments are due at 6pm at the start of class on the day they are due. Late final papers will not be accepted, as I must turn in grades shortly thereafter.
You are expected to do your own writing for this class. While you may use generative AI creatively in you final project, you must carefully describe its use and your own original conrtibutions to your final project as part of your proposal and final paper. You may also use generative AI to correct and improve your grammar and use of language, but the ideas and arugments of your texts should be yours. Your weekly blog posts should be your own writing and ideas. Any and all use of generative AI should be disclosed in the assignment when you turn it in. Violation of this policy will be treated as plagarism.
If you are ill and cannot attend class in-person, let me know and I will provide a Zoom link for you. If you are unable to attend the Zoom meeting, for any reason, you can make-up the missed class by watching the Zoom recording of the class discussion, and writing an additional blog post reacting and contributing to that discussion. Make-ups should be done promptly following a missed class. You are allowed two such missed classes without any penalty to your grade. After that you only receive partial credit for class participation for completing the make-up posts.
All readings will be available electronically, via the web, in PDF, MS Word, HTML, or similar format. You are welcome and encouraged to buy any of the books used.
Stimson Center
Exploring the role of open-source AI development and deployment in the context of the U.S.-India relationship.
The U.S.-India joint statement issued after Prime Minister Modi’s first visit to Washington in President Trump’s second term set forth an ambitious bilateral agenda on artificial intelligence — to collaborate on “innovations in AI models and building AI applications for solving societal challenges while addressing the protections and controls necessary to protect these technologies.” The Stimson Center’s Strategic Foresight Hub and South Asia programs join in discussion to conceptualize how open-source AI development—in the United States, India, and collaboratively—can support both countries’ efforts to build a robust domestic AI ecosystem.
(On-line, free registration required).
Course Syllabus Overview & Student Introductions
How to create a WordPress Account, and make a Blog Entry
Watch in Class (segment): NOVA, A.I. Revolution, PBS, March 27, 2024, 54 min.
Read Before Class: Fergus McIntosh, "What's a Fact, Anyway?" The New Yorker, January 11, 2025.
Required:
Matteo Wong, "A Tipping Point in Online Child Abuse", The Atlantic, January 15, 2026. Recommended:
The Forum at Columbia University, 601 W. 125th St., New York, NY 10027, Room/Area: Foyer
Public Event: Tuesday, February 3, 5:30pm-7pm ET.
The Extraction Economy with Tim Wu and Julia Angwin
How did a small set of technology platforms rise to command our attention, our data, and our economy? What has this concentration of power cost us in terms of innovation, prosperity, and democratic possibility?
In his latest book, The Age of Extraction, Columbia Law School professor and former White House official Tim Wu contends that today’s dominant firms have mastered an extractive business model that pulls value upward — from users, workers, and entire markets — while eroding political freedoms and narrowing the space for shared prosperity.
Join us for "The Extraction Economy: Platforms, Power, and the Fight for Prosperity" on Tuesday, February 3, from 5:30 to 7:00pm at The Forum at Columbia University. This dynamic in-person conversation between Professor Wu and Julia Angwin, award-winning investigative journalist and founder of Proof News, will dig into how platform power has transformed whole sectors of the economy, how emerging AI systems may accelerate inequality, and what bold legal, institutional, and civic interventions are needed to build a more democratic digital future.
This event is hosted by Columbia World Projects, with support from the John S. and James L. Knight Foundation, and co-sponsored by All Tech Is Human. The discussion will be followed by an audience Q&A. This event is free and open to the public with registration required.
(In-person, free registration required).
Required:
Watch: Mustafa Suleyman, "What Is an AI Anyway?", TED Talk, April 22, 2024, 22 min.
Watch: Meredith Whittaker, "What is AI? Part 1" AI Now, July 19, 2023, 22 min.
Watch: Lucy Suchman, "What is AI? Part 2" AI Now, July 19, 2023, 33 min.
Watch: Jon Stewart, Jon Stewart On The False Promises of AI, Daily Show, April 1, 2024, 15 min.
Recommended:
Watch: Lilly Irani, "The Labor that Makes AI "Magic"," AI Now, July 7, 2016, 7 min.
University of Virginia
Co-Opting AI: Kids will explore how growing up in the age of AI is reshaping children’s experiences and consider questions around agency, creativity, participation, and digital rights.(On-line, free registration required).
Required:
Watch: Tonje Hessen Schei, iHuman, 2019, 99 min.
Video is in our class Folder
Recommended:
The Washington Foreign Law Society, in collaboration with the Stimson Center and the Carr-Ryan Center for Human Rights
Public Event: Thursday, February 19, 12pm ET.
Neurotechnologies, AI, and the Right to Mental Privacy: Can the Law Save us from Losing our Minds?
What if AI could power devices to read our thoughts? It's no longer science fiction. Neurotechnologies, which refers to devices capable of recording, decoding, or altering brain activity, can already treat certain serious brain diseases with implantable devices and can already decode thought in the form of words to text at 85 words a minute with 95 percent accuracy. Beyond medical settings, consumer neurotechnologies such as brain-training kits for meditation and sleep already provide unprecedented access to our highly-sensitive and revealing neural data. These advances presage the development of technologies with the potential to surveil our minds, as recent experiments in China, Australia, and elsewhere demonstrate. Using AI to decode brain scans, extract information, and even alter our consciousness present us with a new world of ethical challenges, from State brain surveillance of dissidents to personal augmentation of mental capacity. Can law and policy protect our neurorights to mental integrity, agency and privacy?
(On-line, free registration required).
Required:
Graham Fraser (2024) "Apple urged to axe AI feature after false headline," BBC, December 19, 2024.
Watch: IBM Technology, Why Large Language Models Hallucinate , YouTube, April 20, 2023, 10 min.
Recommended:
"Reinforcement Learning From Human Feedback," Wikipedia.
Watch: IBM Technology, "Tuning Your AI Model to Reduce Hallucinations," YouTube, February 7, 2024, 9 min.
Free Online Course:
Center for an Informed Public, "Modern-Day Oracles or Bullshit Machines? AI course," University of Washington, February 5, 2025, 18 Lessons.
Direct Link to Course
Required:
John Lanchester, "You Are the Product," London Review of Books, August 17, 2017.
Watch: Last Week Tonight with John Oliver (HBO), "AI Slop," YouTube, June 23, 2025, 29 min.
Recommended:
Watch: Kurzgesagt – In a Nutshell, "AI Slop Is Destroying The Internet," YouTube, October 7, 2025, 10 min.
Watch: Jeff Orlowski, The Social Dilemma NetFlix, 2020, 94 min.
Zuboff, Shoshana. "You Are Now Remotely Controlled." The New York Times, 24 Jan. 2020.
Watch: VPRO Documentary, "Shoshana Zuboff on surveillance capitalism," YouTube, December 20, 2019, 50 min.
The New School India China Institute
This talk offers a comprehensive account of how law serves as a critical layer of infrastructure supporting China's development of physical AI—systems embedded in and operating in the physical world. The discussion expands on Angela Huyue Zhang's paper, The Sixth Layer: The Legal Infrastructure for Physical Artificial Intelligence in China. Zhang is currently conducting research on the regulation of artificial intelligence. Angela Huyue Zhang, Professor of Law, USC Gould School of Law, is widely recognized as a leading authority on Chinese tech regulation, she has written extensively on this topic. Her first book, Chinese Antitrust Exceptionalism: How the Rise of China Challenges Global Regulation, was named one of the Best Political Economy Books of the Year by ProMarket in 2021. Her second book, High Wire: How China Regulates Big Tech and Governs Its Economy, released in March 2024, has been covered in The New York Times, Bloomberg, Wire China, MIT Tech Review and many other international news outlets.
(In-Person, free registration).
Matthew Libby’s suspenseful new play DATA pulls back the curtain on Silicon Valley's darkest ambitions. When a brilliant young programmer learns his own algorithm is the key to a massive AI surveillance project, he’s forced to challenge the tech world he once dreamt of joining. Confronting today's most controversial headlines, this subversive thriller follows the terrifying choices at our fingertips—and the high cost of disrupting a system that tracks your every move. Run Time: 200 Minutes. (In-Person, Tickets Available).
Required:
Marni Rose McFall, "The No. 1 Country Song in America Is AI-Generated," Newsweek, November 10, 2025.
Ian Bogost, "Nobody Cares If Music Is Real Anymore," The Atlantic, July 4, 2025.
Watch: 60 Minutes, "AI art divide: Revolutionary or a gimmick?" YouTube, February 22, 2026, 13 min.
Recommended:
Watch: Rick Beato, "So It Begins...Is This A Real Band Or AI?" YouTube, June 30, 2025, 9 min.
Watch: Rick Beato, "The AI Music Race is Over," YouTube, November 28, 2025, 7 min.
Watch: Rick Beato, "I'm Sick Of This AI SH*T," YouTube, February 19, 2026, 6 min.
Watch: Breaking Rust, "Walk My Walk (Official VIdeo)" YouTube, November 13, 2025, 4 min.
Required:
Recommended:
Edward Bernays, Propaganda, Horace Liveright Inc., 1928, pp. 1-61 and 135-153.
Watch: Patrick Renvoise, Ted Talk, "Is There a Buy Button Inside the Brain," YouTube, May 20, 2013, 18 min.
Co-Opting AI: Insurance will explore the entanglement of AI, the individualization of risk, and the insurance industry. With Laurence Barry, Jathan Sadowski and Mona Sloane. (On-Line, free registration).
Required:
Anna Tong (2023) "What happens when your AI chatbot stops loving you back?" Reuters, March 21, 2023.
Recommended:
Required:
Recommended:
Required:
Zuboff, Shoshana (2021). "The coup we are not talking about," New York Times, January 29 2021.
Watch: Karim Amer and Jehane Noujaim, "The Great Hack," Netflix, 2019, 114 minutes.
Recommended:
Jane Mayer (2018) "How Russia Helped Swing the Election for Trump," New Yorker, September 24, 2018.
Watch: PBS Frontline, "United States of Conspiracy," July 28, 2020, 54 min.
Required:
Recommended:
Arthur C. Brooks (2025) "A Defense Against Gaslighting Sociopaths," The Atlantic, April 10, 2025.
Required:
Kyle Chayka (2024) "How to Opt Out of A.I. Online," The New Yorker, October 2, 2024.
Recommended:
Payal Dhar (2023) "Protecting AI Models from Data Poisoning," IEEE Spectrum, March 24, 2023.
Watch: Terry Gilliam, Brasil (The Director's Cut), 1985, 132 min.
Watch: John Oliver, Sports Betting, Last Week Tonight, March 17, 2025, 32 min.
Parsons Lab for AI, Ethics & Creative Labor
Creative industries are experiencing one of the most dramatic transitions in recent history. Generative AI systems are now able to produce advertising campaigns, fashion images, and written works at a fraction of the time, at the cost of human labor, and without the contributions of people who are most affected by the technology. Some of these transformations are being adjudicated in the courts; voices from these communities should be heard in these debates.
These shifts raise urgent questions: What does it mean to be a creative worker today? What is an author now that machines mimic writing style? When a fashion model’s likeness is used to train AI without consent, who owns that work? How can filmmakers prevent AI-generated content from mixing into archival materials without distinction? How can creative professionals sustain a livelihood as automation expands? How do we empower different creative communities to see parallels between how their disciplines are affected by AI, and contribute to shaping AI's development?
This day-long convening brings together practitioners, legal scholars, social scientists, and students to investigate the present and futures of creative work in an age of AI. We aim to bring together disparate conversations from the domains of design and fashion, film and philosophy, creative writing and critical thought to create a platform from which to agitate for a future creative workers want to see when it comes to emerging, powerful technologies. Our ambition is to build toward a regional, NYC-based network of creative workers and scholars who have shared stakes in the stakes in governing the future of AI and creative labor.
(In-Person, free registration).
Required:
John Cassidy (2025) "How to Survive the A.I. Revolution," The New Yorker, August 21, 2025.
Recommended:
Explore: G7 Comprehensive Policy Framework, "Hiroshima AI Process," October, 2023.